Recreating the effect of light and shadows brings dimension to Rich Gady’s marquetry.
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Consider lighting and how veneer changes over time to make the best choices for skin tones, recommends Ellen Kisker. Start with a high quality photo, adds Jeff Grossman.
Cindy Goldman uses a fusion technique to soften lines in some aspects of her marquetry.
In a process called radial matching, Ron White created the background for butterflies flying into sunlight.
Turning thin strips of veneer on edge allowed Viki Hennon to curve them into ocean waves and to create the illusion of movement.
Finding the right tool has made inlaying marquetry with precision much easier for Jeff Grossman.
Viki Hennon experiments with straw, a popular material for marquetry in France.
With persistence, Don Roth found a way to make the rigging on an old sailing ship look realistic. Pictured is a pattern he used.